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Doctrine of the Sacred Scripture #10

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10. The twenty-first chapter in the book of Revelation describes the holy Jerusalem in this way, that it had in it a light “like a most precious stone, like a jasper stone, bright as crystal;” that it had “a great and high wall, and twelve gates, and over the gates twelve angels, with names written on them...of the twelve tribes of the children of Israel;” that it had a wall of “a hundred and forty-four cubits, the measure of a man, that is, of an angel;” that the construction of its wall was of jasper, and its foundations of all kinds of precious stones — jasper, sapphire, chalcedony, emerald, sardonyx, sardius, chrysolite, beryl, topaz, chrysoprase, jacinth, and amethyst; that “the twelve gates were twelve pearls;” that the city was “pure gold, like transparent glass;” and that it was square, “its length, breadth, and height...equal, ” measuring “twelve thousand furlongs.” And so on.

All of these particulars must be understood spiritually, as can be seen from the fact that the holy Jerusalem symbolizes a new church to be established by the Lord, as we showed in The Doctrine of the New Jerusalem Regarding the Lord 62-65. And because Jerusalem in this description symbolizes a church, it follows that everything said about it as a city — about its gates, its wall, the foundations of the wall, and about their measurements — contains a spiritual meaning. For matters having to do with the church are spiritual.

[2] We have explained the symbolic meanings of each of these particulars in The New Jerusalem and its Heavenly Doctrine (London, 1758), no. 1. We therefore forgo any further explanation of them here. It is enough for it to be known from that book that there is a spiritual meaning present in each particular of the city’s description, like a soul in its body. Also, that apart from that meaning, nothing relating to the church would be understood in the depictions there, as that the city was of pure gold, with its gates of pearls, its wall of jasper, and the foundations of its wall of precious stones; that the wall was of a hundred and forty-four cubits, the measure of a man, that is, of an angel; that the city itself was twelve thousand furlongs long, wide, and high; and so on.

Someone who has a knowledge of correspondences and knows from it the spiritual sense, understands the meanings of these things — as that the wall and its foundations symbolize doctrine drawn from the Word’s literal sense, and that the numbers 12,144, and 12,000 have similar symbolic meanings, namely all the truths and goods of the church in their entirety.

  
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Thanks to the General Church of the New Jerusalem, and to Rev. N.B. Rogers, translator, for the permission to use this translation.

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Doctrine of the Sacred Scripture #48

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48. When the Lord was transfigured, He represented the Word in its glory. When the Lord was transfigured before Peter, James and John, we read that “His face shone like the sun, ” that “His garments became as white as the light, ” and that “Moses and Elijah appeared..., talking with Him.” Moreover, that “a bright cloud overshadowed” the disciples, and that they heard “a voice...out of the cloud, saying, ‘This is My beloved Son.... Hear Him!’ ” (Matthew 17:1-5).

I have been informed that the Lord then represented the Word. His face, which shone like the sun, represented His Divine goodness. His garments, which became as white as the light, represented His Divine truth. Moses and Elijah represented the narrative and prophetic portions of the Word — Moses the Word written by him, and in general the narrative portion of the Word, and Elijah the prophetic portion of the Word. The bright cloud that overshadowed the disciples represented the Word in its literal sense. That is why they heard a voice from it that said, “This is My beloved Son. Hear Him!” For all utterances and answers from heaven are always made by means of outmost expressions such as are found in the Word’s literal sense, being made in fullness from the Lord.

  
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Thanks to the General Church of the New Jerusalem, and to Rev. N.B. Rogers, translator, for the permission to use this translation.