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Doctrine of the Sacred Scripture #1

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1. The Sacred Scripture, or Word, Is Divine Truth Itself

Everyone says that the Word comes from God, is Divinely inspired, and so is holy. But even so, no one has known before this wherein the Divinity in it lies. For in its letter the Word appears as though written in the ordinary way, in a foreign style, neither as sublime or nor as lucid as writings of the present age seem to be.

As a result, a person who worships nature as God, or in preference to God, and so thinks prompted by self and his own self-interest, and not prompted by heaven in response to the Lord, may easily fall into error regarding the Word, and into scorning it, and when reading it, saying to himself, “What is this? What is that? Is this Divine? Can God, whose wisdom is infinite, speak so? Where is the holiness in it, and what makes it holy, other than some teaching of religion and so conviction?”

  
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Thanks to the General Church of the New Jerusalem, and to Rev. N.B. Rogers, translator, for the permission to use this translation.

From Swedenborg's Works

 

Doctrine of the Sacred Scripture #46

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46. The Word’s literal sense is symbolized by the curtains and veils of the Tabernacle. The Tabernacle represented heaven and the church. Its form was therefore shown by Jehovah on Mount Sinai. Consequently everything in the Tabernacle — the lampstand, the golden altar for incense, and the table with showbread on it — represented and so symbolized the sanctities of heaven and the church. Moreover, the most holy place, where the Ark of the Covenant was, represented and so symbolized the inmost constituent of heaven and the church; and the Law itself, written on two tables of stone and contained in the ark, symbolized the Lord in relation to the Word.

Now because outward manifestations take their essence from inner components, and both of these from the inmost one, which in this case was the Law, therefore the holy qualities of the Word were also represented and symbolized by all the constituents of the Tabernacle.

It follows from this that the outmost constituents of the Tabernacle, which were its curtains and veils, thus its coverings and enclosures, symbolized the outmost constituents of the Word, which are the truths and goods of its literal sense.

[2] Because they symbolized these outmost constituents, therefore the curtains and veils were made “of fine woven linen, and blue, purple, and scarlet double-dyed, with...cherubim” (Exodus 26:1, 31, 36).

What the Tabernacle and everything found in it represented and symbolized, in general and in particular, is something we explained in Arcana Coelestia (The Secrets of Heaven), in our treatment of this chapter in Exodus. And we showed there that the curtains and veils represented the outer constituents of heaven and the church, thus also the outer constituents of the Word. We showed, too, that the linen, or fine linen, symbolized truth from a spiritual origin; the blue, truth from a celestial origin; the purple, celestial goodness; the scarlet double-dyed, spiritual goodness; and the cherubim, protections for the Word’s inner constituents.

  
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Thanks to the General Church of the New Jerusalem, and to Rev. N.B. Rogers, translator, for the permission to use this translation.

From Swedenborg's Works

 

Doctrine of the Sacred Scripture #90

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90. Because we are dealing here with the Divinity and holiness of the Word, to what we have already said let me add a relevant narrative account.

I was once sent a little piece of paper from heaven with Hebrew letters on it, but letters written as they were among the ancient people. Today the letters are to some extent formed with straight lines, but among the most ancient peoples they were then rounded and had little hornlike strokes projecting upward. Angels who were with me then said they knew whole meanings from the letters alone, and that they knew the meanings chiefly from the curves of the lines and points of a letter. They then explained what some letters signified separately, and what in combination, saying that he (h), which was added to the names of Abram and Sarai, symbolized infinity and eternity.

The angels explained for me, moreover, the meaning of the Word in Psalms 32:2 from just the letters or syllables alone, the gist of their meaning being that the Lord is merciful also to those who do evil.

[2] They informed me that writing in the third heaven consists of no straight letters, but of letters variously curved, each of which has a meaning, and that the vowel points there serve to indicate the part of the pronunciation which corresponds to affection; that in that heaven they cannot pronounce the vowels i and e, but instead say y or eu; and they do use the vowels a, o, and u, because these vowels have a full sound. They also said they do not pronounce any of the consonants as hard, but as soft. This, they said, is the reason some Hebrew letters have a dot placed within them, to indicate [that they are pronounced as hard, but without a dot] that they are pronounced with a soft sound, saying that hardness in consonants is employed in the spiritual heaven, because there they are concerned with truths, and truth is capable of hardness, unlike the goodness that prompts angels of the celestial kingdom or third heaven.

They said, too, that the Word they have is written with curved letters having symbolic little hornlike projections and points.

It was apparent from this what is meant by the Lord’s saying, “Not one jot or one tittle will pass from the law till all is fulfilled, ” (Matthew 5:18). And, “It is easier for heaven and earth to pass away than for one point of the law to fail” (Luke 16:17).

  
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Thanks to the General Church of the New Jerusalem, and to Rev. N.B. Rogers, translator, for the permission to use this translation.